Don’t Wait For Your Life

It saddens me greatly that I have only one life in which to read and write. All those books I will not have opened, the ignorance I will take with me to my final bed. And of course, the books I will have left unwritten. And yet, I’ve been given, this year, pages to add to the annals of community, and to culture and art at large.

You know how writers start a blog in the dubious hope of being discovered out here (by a publisher)? Well, one found me. I responded to the encouragement to submit, and the narrative The Measure of a Woman made its way into the 2018 New York’s Emerging Writers anthology. I put in under New York for the relevance to my mother’s early immigrant years there. The editors will offer a solo book deal to the author who draws the best reader feedback, so imagine how much I will appreciate anyone who takes a moment to put up a good word for me on that Amazon page. You can take to the bank this public assurance that I will remember you when I’m rich and famous, ’til I wake from that dream. Here are examples of comments that their readers have dropped on a previous series.

In the summer, I then reached out to WestCoast Magazines, a publication that serves the affluent families and businesses in this part of Southern California. After reading my work, the CEO gave me the run of her upcoming feature, each hard print issue drawing 100,000 views. Don’t bother tapping in if you’re not within distance, but I will say the article explains the distinctives of public, private, charter, and home schools to help families navigate choices and to build bridges across the school sectors. Unwittingly, I made some important contacts in the research, and now am on board with a large reputable school district to teach its students poetry and its teachers how to write. For starters, I was asked to share some poems at the district poetry showcase last week, where my husband and son also got to do a steel drum duet. (Yes, that is really my husband out of costume.) A few things have evolved for me simultaneously in all this.

Camera-shy (more like vehemently averse), I had always preferred to be read, not seen. And I honor the written poem because the way it looks on the page matters to me. Add to this the jarring thought that in performing a poem, I myself visually become part of the piece. Just as I had talked myself into going for it, I learned of a sudden passing of someone I had known in high school. Her lights went out after 45 brief years, in a brain aneurysm. She was my age. In the face of the sure limit on my own time, I decided to forge ahead into the world of Spoken Word. Perhaps it’s as simple as middle-age bungee jumping. But I want to create in new ways, while I can. It turns out that some of my posts – prose and poetry – work well in speech. And so in an earnest defense against dementia and related demise of brain cells, I have been memorizing my work, and performed – not recited – it at the showcase last week. It was an electric evening with a great turnout. Entering my zone while connecting with the audience was an amazing experience that pushed me beyond the comfortable ride of rolling out words in print.

Connecting with readers virtually is a special privilege, but engaging an audience face to face – offering my physical and emotional self – is a challenge, thrill, and power all its own. Blogging has taught me to write not like I’m educated but like I’m human, to step closer to the reader. Performing literally brings me in front of people to ask them to let me in. Perhaps a student of color, along the way, will find her own voice from watching the way I modulate and present mine. Of course I questioned whether I was good enough, but was invited back for a literacy conference next month and a poetry festival in March. Einstein said imagination is more important than knowledge, and I think this is so because knowledge brings us to just the knowing, but imagination allows us to keep discovering, as the arts enable us to do – not with the fastidiousness of a scientist or scholar, but in wonder. The turn in my journey isn’t only about fuller living and the evolution of an artist but also a modeling for my son. I want to help nurture his own proficiency in presentation and performance because if you can look a crowd in the eye and tell a story or share your conviction, you can influence a great many people in today’s world. DIY YouTubes and the variants of TED talks that are shaping our culture say it all. I applied and was accepted as a speaker at an annual state homeschool conference a few months ago. It both empowered and concerned me to see the homeschooling parents take to my workshop like water. They were so grateful to be led them through the precepts on writing I have shared in past posts, the response made me want to go to the public school teachers. Writers who teach are busy with aspiring writers at conferences and special programs. They are not in the schools. I am excited to be guiding teachers so they can build their own skill set along with their students’.

Pixabay/Qimono

I laugh some moments, marveling that I can make up stuff and convince people to buy my wares. But I embrace the deeper lesson that opportunity isn’t so much something that shows up, as something to create. Don’t wait for your life. The doors I tried this year have swung open, but I first had to imagine and believe people would make space for me, should make space for me, and then knock. Only one life, friends. To dream, think, pursue, make, and because we have not only hands and brain, but also spirit, to do it in community. You bet I had the little Naysayer on my shoulder to deal with. But you’re too old to be doing Spoken Word. Talk to me when Sarah Jones stops doing whatever strikes her fancy on that stage. Your material isn’t angry enough, hip enough. As long as I’m asked back, I will stake my place among the ten thousand voices of poetry. There are better writers. Always. But they didn’t call the district superintendent. It’s one thing for finances, health, or death to get the better of me, but I will not live beneath my ability out of self-scripted fear. Do my job where I am? I am letting life and joy follow where I go.

Writing: A Hermit’s Journey

If my life in books counted off the page, I could boast quite a social life. My diverse bibliodiet of fiction and fact includes Pulitzers I study, tracing the contours of the words for clues to their savoir-faire. Best thing is when I fall in, pestled upon a page of genius. I feel ridiculous. Don’t try to fool me into thinking it’s doable. High art is not five feet three. Art at its best shows me the by-ways behind the crags, bruises and cuts. In The Art of Memoir, Mary Karr shares some questions she asks to “help students diagnose their own blind spots” ~

1. What do people usually like and dislike about you? You should reflect both aspects in your pages.
2. How do you want to be perceived, and in what ways have you ever been false or posed as other than who you are?

[Her answers]
1. My friends usually like me because I’m tenderhearted, blunt, salty, and curious. I’m super loyal, and I laugh loud.
2. People don’t like me because I’m emotionally intense and often cross boundaries….Small talk at parties bores me senseless…I’m a little bit of a misanthrope. I cancel lunch dates because I’m working.

She believes we are to bring to the page the best and worst of ourself, that is, our full and authentic self. Yes, I think you see me in clear color and dimensions, in fact more than the people in my life, at least those outside my family, do. One tempers into social roles and expectations, especially by middle age. These socks have to match. I also feel muted in the rituals we call socializing, not able to talk books or art in the circles that motherhood have circumscribed for me. I’m happier in company with the immortal dead and fellow hermits in the cave of their mind. When the tea party is over, I invite a wordsmith over for some wine – and days I need it, the scotch. Ah, the way good prose jolts, when it’s not a beautiful ache. I want to drive under the influence – and once I’ve stepped out into fresh air, start climbing.

 

Writing 101: Sacred and Simple

The more I write, the more I am taken with it, the magic of the word. Turn the wrist, and hold out a balm. Flick, and you have a blade. To be able to put out one, two, three words for a title and draw people in; convince them to pause in their hurried steps and step inside, there is a power in that. They pull up a seat, and some linger and chat. Some cry a little; other times they walk out still laughing because it was the room of your childhood they had entered and they remembered. The window to your marriage you’d opened and they know. It was your messy soul they inhabited briefly, experienced from the inside out and they blushed a little. It was their one-minute confessional before they drew the door back out to the light.

There is something religious about writing for me. It calls for devotion, affection, discipline, even bloody sacrifice. And it’s redemptive, every word sacred. If you pile on the descriptors, especially those adjectives and adverbs you are so fond of, you reveal a lack of faith in the rest of your words, either in the potency of language or your own ability to cherry-pick its offerings. Your line must not be vivid enough, else why do you need four modifiers in a breath? Could you find one or two that do the job? I am full of faith. Let’s try this together.

The mountains were draped by black curtains of ominous storm clouds, portentous of trouble over marshy waters.

Sorry this is not sexy. But I am so grateful for the mercy of the missing adverb I want to cry.

For starters, we have the imagery of darkness replaying itself in the draped, black, curtains. Then the picture of something brewing duplicated in ominous, storm, portentous, trouble. As if the two ideas weren’t redundant enough, they are so similar as to feed each other (black and storm, for instance, serving both the gloom and imminence).

Let me illustrate how I see the writing process with a metaphor that is a religion all its own for many. In basketball, the three-pointer is one of the most impressive shots of course, made farthest from the basket. The ball, which we can liken to the word, spurns distance, flying with grace, muscle, surety. This is writing, the art of nailing it. The three-pointer holds an interesting success rate of about 35% in the NBA. The best players in America make it only a third of the time.

So an autopsy of our overclouded sentence reveals the problem wasn’t so much a superfluity of adjectives or even of ideas. That was merely the symptom of either an impotence toward a clear purpose or even a deeper mistrust in the authority of the word. I say it was a spiritual death. I usually build from the bone of meaning, combining nouns and verbs that I hope are crisp, on to relatable metaphors, rather than slather on the fat and spice from the start. If I can use a noun that’s picturesque or compelling enough, I hold back the adjective (just redemption, which I’d considered embellishing above). And when I want more, I go with the least possible number of modifiers unless I am inflecting other elements of communication. So in measuring my words like a child in wartime rationing her meal, it isn’t just economy I’m after but also meaning, style, tone, and depth. Conveying all these elements as efficiently as one can is simplicity. I am not saying you can’t describe the morning in three adjectives. Sharon Olds with her many trippy, hypothermic descriptives has had me in knots barely able to get through her pain-saturated poems. But let’s respect this thing we call language. That is the sacred.

Obviously I am talking to people who want to raise the bar on their writing. We have a huge pet aisle here on WordPress and if you mean only to keep up the anecdotes about your dog, you don’t have to hamstring yourself. But if you want to be writing better, cut sharper on the page than you did four years ago, don’t give yourself cheap praise. Question your choices and their motives. Whether you’re writing a travel journal, history, fiction, or poetry, ask yourself if every word is necessary. Is each one doing its thing, contributing something fresh to the picture? Fancy dribbling isn’t what scores your game.

If you have a better way – and the shelves are lined with authors who do – by all means have at it. But first, ask any man. A hint of perfume and he leans in. Assault me with it in the elevator, and uh, excuse me. I think I’ll take the stairs. The sin of gluttony abounds in all the arts. There is such a thing as too much salt in your sauce, too much red on the canvas, too much bling with that outfit. Black clouds sat over the mountain.

Oh, but what’s that? You don’t believe me. You think I’m a blogging Grinch who’s out to steal your Christmas or keep you from your ebook sell-out. You think I didn’t catch that adverb in your clutch. Fine. I’ll leave you to your opinion of fine writing. But if you think me a pious know-it-all, at least close the curtains and on your way out, please remember the shoes you should’ve removed. Yes, thank you. In all fairness, no one made you enter my sacred ground.

[Poetry] is for me Eucharistic. You take somebody else’s suffering, their passion into your body and…you’re transformed by it, you’re made more tender, or more human. You’re more alive to your fellow human beings. I could literally read a poem and lift my head from the page and look out and my heart would just be softer. I think it kept me alive for a long time.

~ Mary Karr, 2011 Writers’ Symposium by the Sea

Greatness: The Art of War

DAWNING
Even in my happy indifference to athletics, I could understand something of the competitor. The Olympian urges his body on toward the moment that will redeem the years and pleasures and normalcy he had laid on the altar of glory. He pursues the unrivaled to best himself. But men who attack one another – invite the blows and blood – and go on to hug after beating the brains out of each other? (Right, it is women who make no sense.) Baffling brutes, I’ve thought.

A year or so after my boy had started in Mixed Martial Arts and I too had learned some moves in self-defense, I was strolling past the octagon at the gym when the sparring in there took on a startling light. Suddenly, the irrational violence I’d dismissed made every bit of sense and the fluid logic of the moves blew me away in its beauty. So this was the art of war.

WONDER
I became intrigued by men who put themselves in harm’s way not in some noble cause for the greater good but to test themselves. Fascinated with these creatures of discipline – so many of them who I discovered are really nice guys – I went around the last two months asking fighters of all caliber in the Ultimate Fighting Championship, “Why do you fight?” But it was the questions under the question that pressed me. Aren’t you afraid? What do you do with that fear? What makes you spurn that bed of ease and climb the path of great resistance? Are you born different from the rest of us? What is the stuff of warriors – are they born or made – and what inner battles are you fighting?

These questions played in my head during a mesmerizing rerun of the epic fight between Dan Henderson and Mauricio “Shogun” Rua in the summer.

A minute and a half into the first round, and blood rains over Shogun’s face. He stays bloody to the end. By the third round, both he and Hendo have drained their reserve. Round Four, they pummel. And Hendo looks at the clock. An eloquent moment: two hundred pounds of muscle and he wonders when he can stop.

The men hang by a thread through the distance, the longest 25 minutes of their lives. It’s not muscle in the last round. Shogun and Hendo find themselves in the mental corner. They have given up their all and for one of them, it won’t be good enough. What follows will ride on mind and will. Shogun gives Hendo a run for his money, but Hendo had done too much damage too fast from the first round not to win in the judges’ eyes. The call remains a technicality for many, fans the world over moved by the warrior spirit of both men.

Soon after, I caught some words from The Korean Zombie on the gym screen, a crash introduction to the relatively new but popular mixed martial artist who earned the moniker from his singular ability to plow through all injuries and blows. Thrilled to his wildest dreams that he was slated to fight UFC Featherweight Champion Jose Aldo, Chan Jung said, “I’m willing to put everything on the line…I would give my life to be fly1champion.” How stupid. How marvelous. Beautiful. I became enthralled. Three years he had chased the chance to take the title from the eight-year undefeated champion. I asked The Zombie in my head: What makes you define years of your life by a moment you hold in your dreams? Where does the confidence even come from, to disagree with the masses that your opponent is superior?

Aldo: “I don’t even see a chance of losing.”
Jung: “I push my opponent to his breaking point.”

FEAR
I had the recent privilege of reaching The Zombie in Seoul, Korea. His agent took the time to translate the interview and afford me a more personal acquaintance with the star. Chan, like some of the other fighters I’ve spoken with, ended up in martial arts after being bullied as a kid. His aunt enrolled him in Hapkido. As to the qualms, he echoes the others, “There is always the fear, but mostly of losing.” Fear of injury becomes a minor concern. After the first blow, they’re good (something I don’t quite get as a woman) – the anticipation over, the adrenaline on. Beyond any anxiety over a black eye, they’re afraid of letting the coaches and themselves down. The goal is to free themselves from the fear of fear. A Brazilian Jiu Jitsu instructor at our gym says he competes to face his fear of vulnerability and stay ahead of his insecurities.

Former UFC champion Vitor Belfort said it simply on TV: “Nothing can distract.” The Korean Zombie doesn’t just dream. He labors in the vanguard of those who sweat, breathe, beat that dream into reality with this laser beam devotion. These guys seem to live on a different plane altogether. I remain mystified. All those months and years and daily dogged minutes of self-denial! Though C.S. Lewis was speaking of spiritual appetite in his observation that we are far too easily pleased, his commentary captures the human spirit. We worship comfort, especially as postmoderners. I am blown away by the single-minded who take no excuses for themselves, repudiate mediocrity, forgive nothing substandard. In this case, fighters put themselves at a place that exposes what they’ve got, what they’ve worked for: they ran the extra mile or they didn’t. The cage door closes and you have two guys hell bent on winning. No one trains to lose. They force each other to their best. The contenders risk it all before a watching world. And the months of toil can all go down in seconds. It hit me (pun intended) that this death grip on commitment resonates with me for the crazy work ethic Koreans have branded themselves by.

cameronTHE GLADIATOR
I had to puzzle out the deepest answer I was seeking in the interviews. The men told me, “I fight because it’s what I love. What I’m good at. The thrill of victory, the arm going up.” But why do you have to punch someone in the face to feel so good?

If man ever did evolve he stopped over 2,000 years ago. I realized MMA is not so new. I am watching the Spartan warrior and the Roman gladiator in their most primal fight for self-preservation. History is battle, the fiercest of physical arguments over land and power. My son has been learning, “Assyria falls to Babylon, Babylon to Persia, Persia falls to Alexander the Great.” The Conquerer has been redefining boundaries – of space and within himself – since ancient times and on he goes. Man’s quest for greatness.

LIVING THE DREAM
The current of the past carries these fighters on to their future. Competitor Phillip Brown is not only chasing his dream but living it. He stays present so that the training is not only a movement toward possibility but joy: “You wake up and realize it’s already tomorrow. You feel really alive. It’s a presence. All your hard work has paid off. All those minutes on the bag, all those tap-outs in practice. Tap-out means I need to get better. Martial arts is the art of bettering oneself. When that cage door shuts, I’m exactly where I wanna be: win, lose, or draw.” How many of us know exactly where we want to be?

THE ROAD AHEAD
Part of my fascination with these contenders stems from the mystery of the Other. They are talented with their body as I can never hope to be. After a year’s sorry attempt in Self-Defense, I discovered I have as much survival instinct as I do coordination. But I’m drawn to the sport for the resonance; I fill with hope and pride in people who seek excellence in their craft, partly for this very pursuit in the roles I have played as mother and as writer. Whether or not I have succeeded remains a different matter. But what I’ve asked the competitors were really parenting questions that continue to replay themselves. How much do I push my son to free him – to borrow from Gloria Vanderbilt – to follow his bliss? How do I encourage him to refuse distractions from his purpose? How to reconcile the wisdom of balance with the virtues I prize: stamina, discipline, passion? You lose, sometimes excise, a part of yourself for the greater gain on the hot trail of dreams.

“The tragedy in life doesn’t lie in not reaching your goal. The tragedy lies in having no goal to reach. It isn’t a calamity to die with dreams unfulfilled, but it is a calamity not to dream.”  Benjamin Mays (1894-1984), American minister and educator

Enjoy the Wayfarer in MMA action here – most notably not in her element.