Great Expectations

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A therapist I knew once mentioned a client who kept her Christmas tree up all year because it made her feel good. The woman brings to mind Miss Haversham from Dickens’ Great Expectations who from the moment of her abandonment at the altar does the rest of her life in a wedding dress. But whether it’s the holiday or our grief we might strive to embalm, time will not yield. A steadfast river, it carries us through cycles that exact change in all its stages. Trees surrender in dormancy against winter’s crush, the dazzling death of leaves feeds the earth for rebirth, a wild chorus of bloom that must fade so it can return. Cycles command nature and our own bodies in countless ways, sustaining an invisible orchestra of functions, but time adds guideposts to our journey, inviting our mental and emotional participation in inevitable change.

Temporal landmarks, says motivational podcaster Mel Robbins in relaying the work of researchers, is a date, experience, or physical thing that triggers motivation for a fresh start as it marks the passing of time: birthdays, the birth of a child, divorce, the new year. When you make that birthday wish over the candle, you break—in Mel’s words—from your past self for a moment, feeling bigger and more hopeful. Bringing a child into the world means the birth of a parent, in it a new identification. Divorce also impacts your identity in its breach from the life you had as a couple. The separation pulls you from the past you and, if you allow it, from the things you’ve judged in yourself. January 1st hands you a blank slate where something ends and something else begins. It’s another mile in the road of your life.

While our Christmas Lady blissfully ignored the parade of seasons outside her window, and Miss Haversham plastered herself into the temporal landmark of an aborted wedding, most of us welcome the opportunities for pause and refueling that nature and time afford us. Though I’ve found that I white-knuckle the mere thought of change, the shifts in my life—and more importantly, in my thinking—have virtually always wrought better things, the mind-bending upheavals in particular. Cornered on the precipice, I’ve had little choice but to contrive a way down before I would somehow find myself on higher ground.

On the edge of a new year that had brought apprehension of change, I choose to flip that fear into anticipation of possibilities. My problem has been my hard-headed attempt to understand my life. In conversation with neuroscientist Dr. Andrew Huberman, Former Navy SEAL Jocko Willink has said, “Often the best way to contend with adversity is by taking action. The more you sit with the adversity with the upper hand inside your head, the worst it’s gonna get.” I need to get out of my head and act, physically step into small adjustments in my day that will revise my life in the coming year. I start by feeding myself doses of happiness, soaking in the sun-bathed breath of trees, tidying my desk so it invites clarity and creativity, writing against the groanings of a brain that’s begged oiling. Will I find my words again? Oh, enough. Enough self-doubt and naysaying.

I will fall away from this year. And meet myself high on the other side.

Hit by a Train

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I was crossing a rough set of tracks in a 28-wheel diesel truck in October of 2013 when to my astonishment and fear, the crossing gates suddenly dropped, the reds lights began flashing, and the warning bells rang. With not even time to think, all I could do was tighten my grip on the steering wheel. I watched the train come at me before I heard the metal on metal and felt the impact. Everything slowed to a deafening silence and darkness.

When I came to, blood was running down my face. It was over half an hour before someone showed up to help me out of my twisted cab. It took that long before the 107-car freight train could stop after pushing my trailer down the tracks more than a mile and a half and the engineer could reach me on foot. I fell limp into his arms. After a grueling ambulance ride to a clinic, I was emergency-evacuated by helicopter to a medical facility an hour away. A priest there told me it was a miracle I was alive.

I suffered a major concussion with loss of consciousness, contusions on my chest and lungs, and open lacerations on my face. Thankfully I had not damaged any organs. A nurse said God was not finished with me yet. After three days of stitches and morphine, I was discharged into the care of my wife who flew to North Dakota from our home in California.

We discovered weeks later that my jaw had broken and my wrists fractured. The right one got a cast and the left was left to heal on its own. Nine weeks after the accident, my jaw had to be rebroken, realigned, and held together with a titanium plate. I drank Christmas and New Year’s dinners through a straw. Even long after the surgery, it hurt too much to chew, and I remained weak, constantly dropping things. I had never known pain like what I had in my neck and back.

Making my way through 24 specialists, I was diagnosed with anxiety, depression, PTSD, nerve damage, and chronic back and neck pain. I went from being healthy and active to depending on a cocktail of sixteen drugs: pain meds, psychiatric meds, muscle relaxers, sleep meds.

The valley of the shadow of death was no metaphor for me. And told by my doctors that the pain and terrors would be forever, I set up camp in that valley. For several years, I could not drive from the trauma and hardly left my room. Most days I hid beneath the covers, hanging thick blankets over the windows because the dark felt safe, although it didn’t relieve the pain as I imagined it did. The nights were the worst with the horrible nightmares. And startled, I bolted up in bed anytime I heard the train pass.

Was this how the rest of my life was going to play out? The anxiety took a serious toll on my family. My uncontrollable bursts of anger was growing too much for my wife and damaging my relationships with my daughters. I was not the husband or the father my family knew.

Something had to change. I needed to change. I had cried out to God for help and heard that whisper, “Are you ready?” in answer. But no, I wasn’t. I had settled for what my life had become instead of fighting the good fight for His best for me. Seeing me in excruciating pain three months ago, my wife prayed, “Lord, I’m not even asking for healing at this point, just mercy and grace,” She heard back, “I have already healed him. The rest is up to him.” She did not know about the book by John Sarno that our blog hostess HW had encouraged me to read. But I was tired of hurting my family, tired of being estranged from caring friends, tired of all the medications, tired of the suffering, tired of living. I told God I was ready and picked up the book.

In Healing Back Pain, Dr. Sarno, who had freed thousands of people crippled from pain, explained the mind-body connection and how emotional pain seizes the opportunity of a physical injury to make its home there. Though he made no spiritual references, I was brought back to Biblical truths I used to teach on the importance of our thought life. I realized I had to see myself healed before I could embrace my healing. I changed my self-talk and stopped coddling myself. I slowly but purposefully started exercising and through very difficult withdrawal symptoms, weaned myself off the meds. I am down from 16 to 2, and am reminded that I need to hold that picture of myself drug-free.

Six years, four months and counting, I am free. No more bone pain throughout my body. No more anxiety and depression. No more PTSD. No more pain killers. I grab a gallon of milk with no thought. I recently drove over six hours from Los Angeles to Las Vegas and back home, my back just fine. I work out regularly and the other week went skydiving for my 60th birthday. Eager to get back to the working life, I am at a new job and excited for what the year holds for me.

God sure isn’t finished with me. I am just beginning.

Dino Fulton

It’s All in the Suffering

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I was going to say no, I didn’t fall off a cliff, but I – uh, actually, did. And though I lay on the rocks, wishing nothing more than to be wiped off the planet, I somehow made it back up, half-carried by angels, broken bones and all. The bruises linger, but the bones, to my wonder, have healed and the bleeding stopped. I wasn’t done for. As long as I had breath, as long as I could form my words, the world had a place for me. Like the page in this year’s California’s Best Emerging Poets anthology. And the classroom in the private university where I taught composition this semester. I had walked past that door many times early this year, wondering why a job at a homeschool center across the street wasn’t working out, when God had my name on that door, His writing on the wall. We launched Drummer Boy this Fall. (After 12 years of indentured servitude coupled with preteen warfare, I was done. I practically threw him over the school fence.) It was time for me to launch, too. I enjoyed the teaching immensely, and although the steep learning curve on school protocols, the grading platform, and all that grading made for a ride under a burst dam, I didn’t feel mentally challenged. And the impossible hunger pangs for the writing – to do it, not just teach it – didn’t help. I’d been away from the page too long.

In thinking through what the upcoming years might look like for me unchained to my son, I discovered the other night a generous, astonishing opportunity a prestigious institution had extended me on LinkedIn months ago. Two, in fact, when I failed to respond. I glossed over the solicitation before tearing up the golden ticket and tossing it not only because the timing was implausible for me as a mother, but because it was such an amazing invitation I couldn’t wrap my head around it. Then there was my age: my son’s long-awaited self-sufficiency would put me over 50. Yes, I want to build a career with the teaching and writing, but I’m supposed to start tiring after 50, not go pursuing the academic equivalent of a rhino chase on an African safari. But Awesome Friend #1 started taping up the ticket: It seems doable, she wrote. And Awesome Friend #2 pressed it in my hand : Why limit yourself? Who cares how old you will be?

Turns out, I was the only one who cared. I was the one who intended on losing steam after 50. And as the playback on my life revealed, I was the one who’d chosen the classrooms with the low ceiling as a student all these years, afraid to prove I really wasn’t smart or capable. But we won’t find our greatest self where it’s safe or comfortable. Retired Navy SEAL and seemingly superhuman athlete David Goggins says we have to suffer. He named every fear he could before running straight into each one because it was only when he had to decide if he would go on with the broken leg and bloody hands that he met with his highest self, not when he was downing a dozen doughnuts on the couch at 300 pounds. He discovered “the answers are all in the suffering.” Accustomed to them, I am very good at anguish and affliction. I am less skilled at mapping the endurance into lasting victory beyond survival. Hope is not a plan. And no matter how we might dress it with color on a vision board, hope glorified, called a dream, will remain nothing more than a pretty picture without concrete day-in, day-out goals we move toward both physically and mentally.

I am crawling out of a brutal year, one in which I faced the hardest truths about myself. And yet grace has met me in the dungeon, thrown open the doors, and held up a breathtaking life that is mine for the taking if I will shed the self-doubt and get to work. At just a few words from friends who wouldn’t let me shortchange myself, my life took on sudden definition. So I’ve drawn up a game plan that will reorder and fuel my life, the things time and stress had gotten in the way of, but that now tangibly serve a larger purpose, from organizing my house to working out again, studying, and writing. No longer am I sitting and hoping that my writing will be good enough and that the future will favor me. I’m gettin’ up to go git it. I will make my work good enough, silencing the imp on my shoulder that’s whispered all my life: but there are so many writers better than you. I shoved Goggins’ book in her face and refuse to hear her out anymore. I couldn’t care less who’s over me or in front. I will continue to write as though my life depends on it because it does. God has shown me that the works I have published and the classes I have taught are only a prelude to what He has in store if I will reach for the life that is bigger, so much bigger, than my failings and my fears.

Don’t Wait For Your Life

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It saddens me greatly that I have only one life in which to read and write. All those books I will not have opened, the ignorance I will take with me to my final bed. And of course, the books I will have left unwritten. And yet, I’ve been given, this year, pages to add to the chronicles of community, and to culture and art at large.

You know how writers start a blog in the dubious hope of being discovered out here (by a publisher)? Well, one found me. I responded to the encouragement to submit, and the narrative The Measure of a Woman made its way into the 2018 New York’s Emerging Writers anthology. I put in under New York for the relevance to my mother’s early immigrant years there. The editors will offer a solo book deal to the author who draws the best reader feedback, so imagine how much I will appreciate anyone who takes a moment to put up a good word for me on that Amazon page. You can take to the bank this public assurance that I will remember you when I’m rich and famous ’til I wake from that dream. Here are examples of comments that readers have dropped on a previous series.

In the summer, I then reached out to WestCoast Magazines, a publication that serves the affluent families and businesses in this part of Southern California. After reading my work, the CEO gave me the run of her upcoming feature. Don’t bother tapping in if you’re not within distance, but I will say the article explains the distinctives of public, private, charter, and home schools to help families navigate choices and to build bridges across the school sectors. Unwittingly, I made some important contacts in the research, and now am on board with a large reputable school district to teach its students poetry and its teachers how to write. For starters, I was asked to share some poems at the district poetry showcase last week where my husband and son also got to do a steel drum duet. (Yes, that is really my husband out of costume.) A few things have evolved for me simultaneously in all this.

Camera-shy (more like vehemently averse), I have always preferred to be read, not seen. And I honor the written poem because the way it looks on the page matters to me. Add to this the jarring thought that in performing a poem, I myself visually become part of the piece. Just as I had talked myself into going for it, I learned of a sudden passing of someone I knew in high school. Her lights went out in a brain aneurysm after 45 brief years, at my age. In the face of the sure limit on my own time, I decided to forge ahead into the world of Spoken Word. Perhaps it’s as simple as middle-age bungee jumping. But I want to create, and in new ways—while I can. It turns out that some of my posts—prose and poetry—work well spoken. And so in earnest defense against dementia and related demise of brain cells, I have been memorizing my work, and performed it at the showcase last week in an electric evening with an impressive turnout. Entering my zone while connecting with the audience was an amazing experience that pushed me beyond the comfortable ride of rolling out words in print.

Connecting with readers virtually is a special privilege but engaging an audience face to face—offering my physical and emotional self—a challenge, thrill, and power all its own. Blogging has taught me to write not like I’m educated but like I’m human, to step closer to the reader. Similarly, performing literally brings me in front of people to ask them to let me in. Perhaps a student of color, along the way, will find her own voice from watching the way I modulate and present mine. Of course I wrangled with that pesky question of whether I was good enough, but managed to be invited back for a literacy conference next month. Einstein said imagination is more important than knowledge, and I think this is so because imagination allows us to keep discovering beyond the knowing, as the arts enable us to do—not with the fastidiousness of a scientist or scholar, but with wonder. The turn in my journey isn’t only about fuller living and the evolution of an artist but also a modeling for my son. I want to help nurture his own proficiency in presentation and performance because if you can look a crowd in the eye and tell a story or share your conviction, you can influence a great many people in today’s world. DIY YouTubes and the variants of TED talks that are shaping our culture say it all. I was accepted as a speaker at an annual state homeschool conference a few months ago. It both empowered and concerned me to see the homeschooling parents take to my workshop like water. They were so appreciative the response made me want to go to the public school teachers because writers who teach are busy with aspiring writers at conferences and special programs. They are not in the schools. I am excited to be guiding teachers so they can build their skill set along with their students’.

Pixabay/Qimono

I laugh some moments, marveling that I can make up stuff and convince people to buy my wares. But I embrace the deeper lesson that opportunity isn’t so much something that shows up as it is something to create. Don’t wait for your life. The doors I tried this year have freely swung open, but I first had to imagine and then believe people would make space for me, should make space for me. Only one life, friends. To dream, think, pursue, make, and because we have not only hands and brain, but also spirit, to do it in community. You bet I had the little Naysayer on my shoulder to deal with. But you’re too old to be doing Spoken Word. Talk to me when Sarah Jones stops doing whatever strikes her fancy on that stage. Your material isn’t angry enough, hip enough. As long as I’m asked back, I will stake my place among the ten thousand voices of poetry. There are better writers. Always. But they didn’t call the district superintendent. It’s one thing for finances, health, or death to get the better of me, but I will not live beneath my ability out of self-scripted fear. Do my job where I am? I am letting life and joy follow where I go.

Writing: A Hermit’s Journey

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If my life in books counted off the page, I could boast quite a social life. My diverse bibliodiet of fact and fiction includes Pulitzers I study, tracing the contours of the words for clues to their savoir-faire. Best thing is when I fall in, pestled upon a page of genius. I feel ridiculous. Don’t try to fool me into thinking it’s doable. High art is not five feet three. Art at its best shows me the by-ways behind the crags. It cuts and bruises. In The Art of Memoir, Mary Karr shares some questions she asks to “help students diagnose their own blind spots” ~

1. What do people usually like and dislike about you? You should reflect both aspects in your pages.
2. How do you want to be perceived, and in what ways have you ever been false or posed as other than who you are?

[Her answers]
1. My friends usually like me because I’m tenderhearted, blunt, salty, and curious. I’m super loyal, and I laugh loud.
2. People don’t like me because I’m emotionally intense and often cross boundaries….Small talk at parties bores me senseless…I’m a little bit of a misanthrope. I cancel lunch dates because I’m working.

She believes we are to bring to the page the best and worst of ourself, that is, our full and authentic self. Yes, I think you see me in clear color and dimensions, in fact more than the people in my life, at least those outside my family, do. One tempers into social roles and expectations, especially by middle age. These socks have to match. I also feel muted in the rituals we call socializing, not able to talk books or art in the circles that motherhood have circumscribed for me when I’m happier in company with the immortal dead and fellow hermits in the cave of their mind. When the tea party is over, I invite a wordsmith over for some wine – and days I need it, the scotch. Ah, the way good prose jolts, and in its beautiful ache. I want to drive under the influence – and once I’ve stepped out into fresh air, too start climbing.

 

Writing 101: Sacred and Simple

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The more I write, the more I am taken with it, the magic of the word. Turn the wrist, hold out a balm. Flick, and you have a blade. To be able to put out one, two, three words for a title and draw people in; convince them to pause in their hurried steps and step inside, there is a power in that. They pull up a seat, and some linger and chat. Some cry a little; other times they walk out still laughing because it was the room of your childhood they had entered, and they remembered. The window to your marriage you’d opened, and they know. It was your messy soul they inhabited briefly, experienced from the inside out, and they blushed a little. It was their one-minute confessional before they drew the door back out to the light.

There is something religious about writing for me, an act that calls for devotion, affection, discipline, even bloody sacrifice. It’s redemptive, every word sacred. If you pile on the descriptors, especially those adjectives and adverbs you are so fond of, you reveal a lack of faith in the rest of your words, either in the potency of language or your own ability to cherry-pick its offerings. Your line must not be vivid enough, else why do you need four modifiers in a breath? Could you find one or two that do the job? I am full of faith. Let’s try this together.

The mountains were draped by black curtains of ominous storm clouds, portentous of trouble over marshy waters.

Sorry this is not sexy. But I am so grateful for the mercy of the missing adverb I want to cry.

For starters, we have the imagery of darkness replaying itself in the draped, black, curtains. Then the picture of something brewing duplicated in ominous, storm, portentous, trouble. As if the two ideas weren’t redundant enough, they are so similar as to feed each other (black and storm, for instance, serving both the gloom and imminence).

Let me illustrate how I see the writing process with a metaphor that is a religion all its own for many. In basketball, the three-pointer is one of the most impressive shots of course, made farthest from the basket. The ball, which we can liken to the word, spurns distance, flying with grace, muscle, surety. This is writing, the art of nailing it. The three-pointer holds an interesting success rate of about 35% in the NBA. The best players in America make it only a third of the time.

So an autopsy of our overclouded sentence reveals the problem wasn’t so much a superfluity of adjectives or even of ideas. That was merely the symptom of either a lack of clear purpose or mistrust in the authority of the word. I say it was a spiritual death. I usually build from the bone of meaning, combining nouns and verbs I hope are crisp and on to relatable metaphors, rather than slather on the fat and spice from the start. If I can use a noun that’s picturesque or compelling enough, I hold back the adjective. And when I want more, I go with the least possible number of modifiers unless I am inflecting other elements of communication. So in rationing my words as I would a meal in wartime, it isn’t just economy I’m after but also meaning, style, tone, and depth. Conveying all these elements as efficiently as one can is simplicity. I am not saying you can’t describe the morning in three adjectives. Sharon Olds with her many trippy, hypothermic descriptives has had me in knots barely able to get through her pain-saturated poems. But let’s respect this thing we call language. That is the sacred.

Obviously I am talking to people who want to raise the bar on their writing. We have a huge pet aisle here on WordPress, and if you mean only to keep up the anecdotes about your dog, you don’t have to hamstring yourself. But if you want to be writing better, cut sharper on the page than you did four years ago, don’t give yourself cheap praise. Question your choices and their motives. Whether you’re writing a travel journal, history, fiction, or poetry, ask yourself if every word is necessary. Is each one doing its thing, contributing something fresh to the picture? Fancy dribbling isn’t what scores your game.

If you have a better way – and the shelves are lined with authors who do – by all means have at it. But first, ask any man. A hint of perfume and he leans in. Assault me with it in the elevator, and uh, excuse me. I think I’ll take the stairs. The sin of gluttony abounds in all the arts. There is such a thing as too much salt in your sauce, too much red on the canvas, too much bling with that outfit. Black clouds sat over the mountain.

Oh, but what’s that? You don’t believe me. You think I’m a blogging Grinch who’s out to steal your Christmas or keep you from your ebook sell-out. You think I didn’t catch that adverb in your clutch. Fine. I’ll leave you to your opinion of fine writing. But if you think me a pious know-it-all, at least close the curtains and on your way out, please remember the shoes you removed. Yes, thank you. In all fairness, no one made you enter my sacred ground.

[Poetry] is for me Eucharistic. You take somebody else’s suffering, their passion into your body and…you’re transformed by it, you’re made more tender, or more human. You’re more alive to your fellow human beings. I could literally read a poem and lift my head from the page and look out and my heart would just be softer. I think it kept me alive for a long time.

~ Mary Karr, 2011 Writers’ Symposium by the Sea

Greatness: The Art of War

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DAWNING
Even in my happy indifference to athletics, I could understand something of the competitor. The Olympian urges his body on toward the moment that will redeem the years and pleasures and normalcy he had laid on the altar of glory. He challenges the unrivaled to best himself. But men who attack one another – invite the blows and blood – and go on to hug after beating the brains out of each other? (Right, it is women who make no sense.) Baffling brutes, I’ve thought.

A year or so after my boy had started in Mixed Martial Arts and I too had learned some moves in self-defense, I was strolling past the octagon at the gym when the sparring in there took on a startling light. Suddenly, the irrational violence I’d dismissed made every bit of sense and the fluid logic of the moves blew me away in its beauty. So this was the art of war.

WONDER
I became intrigued by men who put themselves in harm’s way, not for a greater good but to test themselves. Fascinated with these creatures of discipline – so many who I discovered are really nice guys – I set out to ask fighters of all caliber in the Ultimate Fighting Championship, “Why do you fight?” But it was the questions under the question that pressed me. Aren’t you afraid? What do you do with that fear? What makes you spurn that bed of ease and climb the path of great resistance? Are you born different from the rest of us? What is the stuff of warriors – are they born or made? What inner battles are you fighting?

These questions played in my head as I watched a mesmerizing rerun of the epic fight between Dan Henderson and Mauricio “Shogun” Rua.

A minute and a half into the first round, and blood rains over Shogun’s face. He stays bloody to the end. By the third round, both he and Hendo have drained their reserve. Round Four, they pummel. And Hendo looks at the clock. An eloquent moment: two hundred pounds of muscle and he wonders when he can stop.

The men hang by a thread through the distance, the longest 25 minutes of their lives. It’s not muscle in the last round. Shogun and Hendo find themselves in the mental corner. They have given up their all and for one of these men, it won’t be good enough. What follows will ride on mind and will. Shogun gives Hendo a run for his money, but Hendo had done too much damage too fast from the first round not to win in the judges’ eyes. The call remains a technicality for many, fans the world over moved by the warrior spirit of both men.

Soon after, I caught some words from The Korean Zombie on the gym screen, a crash introduction to the relatively new but popular mixed martial artist who earned the moniker from his singular ability to plow unthinkingly through injuries and blows. Thrilled to his wildest dreams to be slated to fight UFC Featherweight Champion Jose Aldo, Chan Jung said, “I’m willing to put everything on the line…I would give my life to be fly1champion.” How stupid. How marvelous. Beautiful. I became enthralled. Three years he had chased the chance to take the title from the eight-year undefeated champion. I asked The Zombie in my head: What makes you define years of your life by a moment you hold in your dreams? Where does the confidence even come from, to disagree with the masses that your opponent is superior?

Aldo: “I don’t even see a chance of losing.”
Jung: “I push my opponent to his breaking point.”

FEAR
I had the recent privilege of reaching The Zombie in Seoul, Korea. His agent took the time to translate the interview and afford me a more personal acquaintance with the star. Chan, like some of the other fighters I’ve spoken with, found martial arts after being bullied as a kid. His aunt enrolled him in Hapkido. As to the qualms, he echoes the others, “There is always the fear, but mostly of losing.” Fear of injury becomes a minor concern. After the first blow, they’re good (something I don’t quite get as a woman) – the anticipation over, the adrenaline on. Beyond any anxiety over a black eye, they’re afraid of letting the coaches and themselves down. The goal is to free themselves from the fear of fear. A Brazilian Jiu Jitsu instructor at our gym says he competes to face his fear of vulnerability and stay ahead of his insecurities.

Former UFC champion Vitor Belfort said it simply on TV: “Nothing can distract.” The Korean Zombie doesn’t just dream. He labors in the vanguard of those who sweat, breathe, beat that dream into reality with laser beam devotion. These guys seem to live on a different plane altogether. I remain mystified. All those months and years and daily dogged minutes of self-denial. Though C.S. Lewis was speaking of spiritual appetite in his observation that we are far too easily pleased, his commentary captures the human spirit. We worship comfort, especially as postmoderners. I am blown away by the single-minded who take no excuses for themselves, repudiate mediocrity, forgive nothing substandard. In this case, by fighters who put themselves in a place that exposes what they’ve got and what they’ve worked for: they ran the extra mile, or they didn’t. The cage door closes and you have two guys hell bent on winning. No one trains to lose. They force each other to their best. The contenders risk it all before a watching world. And the months of toil can all go down in seconds. It hit me (pun intended) that this death grip on commitment resonates with me for the crazy work ethic Koreans have branded themselves by.

cameronTHE GLADIATOR
I had to puzzle out the deepest answer I was seeking in these interviews. The men told me, “I fight because it’s what I love. What I’m good at. The thrill of victory, the arm going up.” But why do you have to punch someone in the face to feel so good?

If man ever did evolve he stopped over 2,000 years ago. I realized MMA is not so new. I am watching the Spartan warrior and the Roman gladiator in their most primal fight for self-preservation. History is battle, the fiercest of physical arguments over land and power. My son has been learning, “Assyria falls to Babylon, Babylon to Persia, Persia falls to Alexander the Great.” The Conquerer has been redefining boundaries – of space and within himself – since ancient times and on he goes. Man’s quest for greatness.

LIVING THE DREAM
The current of the past carries these fighters on to their future. Competitor Phillip Brown is not only chasing his dream but living it. He stays present so that the training is not only a movement toward possibility but joy: “You wake up and realize it’s already tomorrow. You feel really alive. It’s a presence. All your hard work has paid off. All those minutes on the bag, all those tap-outs in practice. Tap-out means I need to get better. Martial arts is the art of bettering oneself. When that cage door shuts, I’m exactly where I wanna be: win, lose, or draw.” How many of us know exactly where we want to be?

THE ROAD AHEAD
Part of my fascination with these contenders stems from the mystery of the Other, as they are talented with their body in a way I can never hope to be. After a year’s sorry attempt in self-defense, I discovered I have as much survival instinct as I do coordination. But I’m drawn to the sport for the resonance; I fill with hope and pride in people who seek excellence in their craft, partly for this very pursuit in the roles I have played as mother and as writer. Whether or not I have succeeded remains a different matter. But what I’ve asked the competitors were really parenting questions that continue to replay themselves. How much do I push my son to free him – to borrow from Gloria Vanderbilt – to follow his bliss? How do I encourage him to refuse distractions from his purpose? How to reconcile the wisdom of balance with the virtues I prize: stamina, discipline, passion? You lose, sometimes excise, a part of yourself for the greater gain on the hot trail of dreams.

“The tragedy in life doesn’t lie in not reaching your goal. The tragedy lies in having no goal to reach. It isn’t a calamity to die with dreams unfulfilled, but it is a calamity not to dream.”  Benjamin Mays (1894-1984), American minister and educator

Enjoy the Wayfarer in MMA action here – most notably not in her element.