Don’t Wait For Your Life

It saddens me greatly that I have only one life in which to read and write. All those books I will not have opened, the ignorance I will take with me to my final bed. And of course, the books I will have left unwritten. And yet, I’ve been given, this year, pages to add to the annals of community, and to culture and art at large.

You know how writers start a blog in the dubious hope of being discovered out here (by a publisher)? Well, one found me. I responded to the encouragement to submit, and the narrative The Measure of a Woman made its way into the 2018 New York’s Emerging Writers anthology. I put in under New York for the relevance to my mother’s early immigrant years there. The editors will offer a solo book deal to the author who draws the best reader feedback, so imagine how much I will appreciate anyone who takes a moment to put up a good word for me on that Amazon page. You can take to the bank this public assurance that I will remember you when I’m rich and famous, ’til I wake from that dream. Here are examples of comments that their readers have dropped on a previous series.

In the summer, I then reached out to WestCoast Magazines, a publication that serves the affluent families and businesses in this part of Southern California. After reading my work, the CEO gave me the run of her upcoming feature, each hard print issue drawing 100,000 views. Don’t bother tapping in if you’re not within distance, but I will say the article explains the distinctives of public, private, charter, and home schools to help families navigate choices and to build bridges across the school sectors. Unwittingly, I made some important contacts in the research, and now am on board with a large reputable school district to teach its students poetry and its teachers how to write. For starters, I was asked to share some poems at the district poetry showcase last week, where my husband and son also got to do a steel drum duet. (Yes, that is really my husband out of costume.) A few things have evolved for me simultaneously in all this.

Camera-shy (more like vehemently averse), I had always preferred to be read, not seen. And I honor the written poem because the way it looks on the page matters to me. Add to this the jarring thought that in performing a poem, I myself visually become part of the piece. Just as I had talked myself into going for it, I learned of a sudden passing of someone I had known in high school. Her lights went out after 45 brief years in a brain aneurysm. She was my age. In the face of the sure limit on my own time, I decided to forge ahead into the world of Spoken Word. Perhaps it’s as simple as middle-age bungee jumping. But I want to create in new ways, while I can. It turns out that some of my posts – prose and poetry – work well in speech. And so in an earnest defense against dementia and related demise of brain cells, I have been memorizing my work, and performed – not recited – it at the showcase last week in an electric evening with a great turnout. Entering my zone while connecting with the audience was an amazing experience that pushed me beyond the comfortable ride of rolling out words in print.

Connecting with readers virtually is a special privilege, but engaging an audience face to face – offering my physical and emotional self – is a challenge, thrill, and power all its own. Blogging has taught me to write not like I’m educated but like I’m human, to step closer to the reader. Similarly, performing literally brings me in front of people to ask them to let me in. Perhaps a student of color, along the way, will find her own voice from watching the way I modulate and present mine. Of course I questioned whether I was good enough, but was invited back for a literacy conference next month and a poetry festival in March. Einstein said imagination is more important than knowledge, and I think this is so because knowledge brings us to just the knowing, but imagination allows us to keep discovering, as the arts enable us to do – not with the fastidiousness of a scientist or scholar, but in wonder. The turn in my journey isn’t only about fuller living and the evolution of an artist but also a modeling for my son. I want to help nurture his own proficiency in presentation and performance because if you can look a crowd in the eye and tell a story or share your conviction, you can influence a great many people in today’s world. DIY YouTubes and the variants of TED talks that are shaping our culture say it all. I applied and was accepted as a speaker at an annual state homeschool conference a few months ago. It both empowered and concerned me to see the homeschooling parents take to my workshop like water. They were so grateful to be led them through the precepts on writing I have shared in past posts, the response made me want to go to the public school teachers. Writers who teach are busy with aspiring writers at conferences and special programs. They are not in the schools. I am excited to be guiding teachers so they can build their own skill set along with their students’.

Pixabay/Qimono

I laugh some moments, marveling that I can make up stuff and convince people to buy my wares. But I embrace the deeper lesson that opportunity isn’t so much something that shows up, as something to create. Don’t wait for your life. The doors I tried this year have swung open, but I first had to imagine and believe people would make space for me, should make space for me, and then knock. Only one life, friends. To dream, think, pursue, make, and because we have not only hands and brain, but also spirit, to do it in community. You bet I had the little Naysayer on my shoulder to deal with. But you’re too old to be doing Spoken Word. Talk to me when Sarah Jones stops doing whatever strikes her fancy on that stage. Your material isn’t angry enough, hip enough. As long as I’m asked back, I will stake my place among the ten thousand voices of poetry. There are better writers. Always. But they didn’t call the district superintendent. It’s one thing for finances, health, or death to get the better of me, but I will not live beneath my ability out of self-scripted fear. Do my job where I am? I am letting life and joy follow where I go.

Our Final Day and a Deal With God

I wonder if she woke feeling any different that day, if she’d had any telltale dreams. We women have our sixth sense about things. But she probably had no inkling that it was her last dawn, at least on this earth. It was a sudden heart attack. Who did she greet on the way out of her building? Who got the last of her smiling gift? Who gave her her last hug, reminded her that she was loved? Susan Irene Fox is not the first blogger I’d known to have passed – she is, actually, the fourth on WordPress – but her death hits close to home. She reached out to me, put me on her prayer list three years ago, in response to a difficult post I put out. I just revisited our emails, the comments and the guest post Single At Sixty she left on this blog, a brave, humble confession of loneliness and the peace she claimed. She was a kind, giving person, one who had nothing to prove but the truth that had transformed her life.

I think of people hungry for life who dance on the edge of death. Adrenaline junkies, athletes, addicts of all stripes who run to meet Goliath and nearly die so they can live again. I am not so brazen. I have felt a generosity upon my life, knowing the ground can slip from under me any moment. I imagine that Susan, had she known, would’ve wanted more time. More time to do the many little wonderful things we choose to leave undone: forgive, hold, kiss, dance, linger. For me, I feel a greater urgency in the writing as I wonder how many hours remain in my ledger. I could travel more, see more of people and the world to say I’ve lived, but I would be just a consumer in the enterprise. I would rather leave something behind, namely, more poetry, which though I am just a vapor will endure until the sun should die. That is a marvelous thought. My breath on the page, a legible love and memories – a great honor.

Honey, if my brain ever ends up sustained by a machine, if you don’t see the tears and recognition in my eyes, if I can’t make your amaranth and tell Tennyson to do his math, you have lost me already. It’ll be just a ghost of me on that bed and I want you to pull the plug. Don’t extend me beyond my time only to leave me a burden, neither living nor dead, without my words. I pick my lane, the freeway stretching North. But in exchange for the Mexican wife you’ve said you would get, I ask for one final gift: my own little pine box. You are so good with your hands. I know, I know. I put you to work to the end. But you’ll be a free man after that. It should be perfectly within the rights of a man to dignify his wife with a final custom home and tuck her away in the mountains. While you’re at it, bury me with a book. I won’t be needing the Bible anymore. I’ll be in it, getting it 3D! It’s not like I can take this blog. How freaked out will my readers be if I wrote them from the Other Side? But I won’t disturb anyone, buried with my nose in a book. I’ll pick it out and put it in the master where you can grab it easily in the whirlwind preparations.

Dear God,

It’s me again. Remember, I’m the one who sends back her plate when it’s not done right. And though I know the cooking will be just right for Goldilocks there, I’m also the one who’ll be bothering all your best writers and asking that you not room me with a fellow Type A. Don’t forget that I’ll be looking for Eve. What a MESS that girl’s got us all into! So how about we make a deal? Give me just twenty more years so I might hold my grandchildren and make sure their mother doesn’t feed them junk, and I will turn my keys in, no questions asked. You are juggling so much at the moment: our presidency, North Korea, the refugees, not to mention the missionaries who’ve been asking for you. Why don’t you take a break from my small affairs, drop me from your radar for a bit. A thousand years is like a day unto the Lord. Why, I’ll be there in no time. And one last thing. Please tell Susan I said hi and bye, that I miss her – and she doesn’t need to save me that seat.

 

 

 

My Race, Coast to Coast: Part 1

I designed this series because I thought it’d be interesting to glimpse stories from around the globe. But I found myself feeling almost apologetic writing my own; I didn’t consider my tale really worth telling. Then I warmed to the rich potential this project held out as a forum for safe, honest talk about our biases and personal struggles.

1) How do you define yourself racially or ethnically and why is it important to you? Please tell us about the racial makeup of your family if you were adopted or come from a colorful family.

I prefer Asian-American or Korean-American. I grew into the American part with time so in looking back on my childhood, I speak of myself as a Korean kid but it bugs me to have to check “Asian” on forms. Tip-toeing on politically correct ground, we don’t call black people Africans in the States but acknowledge their American status. I don’t know why Asian-Americans are not accorded the same respect. Actually, I do know. We are not vocal about it.

2) Where do you live? If you have ever moved, whether to another city or the other side of the world, please tell us when and where, and the ways the cultural differences between the places shaped or made you think about your identity.

I live in California. My family joined the biggest tide of emigration that brought South Koreans to America in the 70s. After the formative years in New York City, I went to Pennsylvania for college. I ended up nesting there until the move across the country 13 years ago. Given the diversity in major American cities I didn’t notice significant cultural differences between them, at least ethnically.

3) How diverse was the neighborhood and school you grew up in?

My childhood in NYC was your unoriginal melting pot. From neighborhood to school and city, we had white, Hispanic, Black, Mexican, Indian, Chinese, and of course many Koreans. Out of my motley neighborhood, I entered the most homogenous class at P.S. 89 when I started my school career in first grade; only as an adult did I realize how unusual the roomful of Korean kids was, under the tutelage of the only Korean teacher in all of NYC at the time. (I won’t get into whether she would’ve insisted on the -American.) Mrs. Cho was Korean and Americaniz, one fully immersed in her culture but comfortable and proficient with the mores of this country. Because I was still clinging to my native language at seven, Mrs. Cho sent me out for a season of English as a Second Language services.

I was at ease with fellow Korean immigrants but as you’d expect, there was plenty of race consciousness on everyone’s part. I didn’t escape being called chink in elementary and walking home one time, was slurred with a kick for good measure. This, by two white girls I saw all the time whose parents, I now remember, were European immigrants. It was older black or Hispanic kids who wrested your bike from you and made off with it on our street – not older Asian kids. The Mexicans didn’t blare mariachi with the Chinese. Life was what it was. It would’ve been weird for the neighborhood to go all white. I wouldn’t call what we lived with tension so much as it was subtle racial abrasion. But for the most part there was peace. We had subcommunities in high school too, though there were the kids who mingled. The magnet school I went to was over 50% Asian-American, the majority being Korean. So I obviously didn’t have much occasion to feel left out the first two decades of my life.

4) When did you first become conscious of your race or ethnicity? Please describe the context or a moment when you noticed you were different in color or language. It could be a scene with strangers, the park, school, work. Could have been subtle feelings you recognized or a blatant attack of bigotry. If it was a season or chapter in your life, tell us the impact it had on your sense of self, confidence, or emotional development. Can you share a bit about the fear, loneliness, longing for acceptance?

Straight out of college, I ended up one of three Korean-American teachers in a Philadelphia school. But the diversity of the city represented in staff and students kept me from thinking twice about myself as a minority. On a field trip one day with my class, I was struck seeing a line of golden-haired children from another school. It was the first time I really noticed I was Asian – and this, in my early 20s. It vaguely crossed my mind that I wouldn’t be as comfortable teaching that class.

Two years later I transfered to a neighboring district where I felt the keen finger of self-consciousness as never before. White upper-middle class suburb, old money. In the meetings that prefaced the start of school, I found myself one of two Korean-American teachers among the 100 in the entire district. My African-American principal was a colored minority. Ten percent of the students in my school were Asian and as few black. In other words, I felt very Asian surrounded by staff, parents, and students. The Korean kids lit up and greeted me when I passed by even if they were not on my roll. As the Gifted and Talented Education instructor, I was a status symbol and my principal said it was important that those children see themselves in me. Despite the politeness of many teachers, I did feel awkwardly different among them. When a group of us went out to try some Korean food, I saw for the first time the profound, basic relationship of food to culture. Those who passed nervously on the invitation gave away their indifference to the Korean culture, and to me.

Others were outright mean (on things not having to do with food), even conspired to get me, with things eventually coming to a dramatic head. Though it’s hard to say, the malice didn’t seem fueled by racism as it was by the position I held. Suffice it to say I was a walking omen of more paperwork for the classroom teachers. Anyone who stepped into my position was doomed because, servicing the high achievers in the whole school, I worked with everyone and no one. As a specialist, I had no colleagues by grade to team with. The cultural distinction felt sharper for the rejection.

My sense of self remained unshaken. It never has been. I enjoyed deep friendships with teachers who shared my faith and also knew the kindness of those who didn’t – some black, some white. I’m not sure how I handled that sense of separation from the masses. I kept my head high, even managed to break through some walls and feel accepted by some cliques though I refrained from trying too hard. I also refused to stoop to the level of my enemies. Not one retort, confrontation, or curse escaped my lips though I can’t count the times I came hairline close. I had dirt on them, too. But this way, I had won. No one could accuse me of a bad word. And in time, they were served their due. I have never looked back on those few years with anything but a dull negativity. As trying as it was, I now feel it was good for me to have experienced the cold heat of exclusion. The real world isn’t a bubble and if you insist on staying in one, it’ll burst on you. I’d say it’s important for those who usually sit among the white majority to have to work through this sense of isolation at some point, too. Of course I don’t mean we should perpetuate hatefulness across racial lines. But some discomfort out of complacency challenges us to grow.

Continued in Part 2.

Dear White People

Making America great again.

A Thomas Point of View

Can we talk?

Can we truly talk about the elephant in the room that you never want to talk about?

Race.

Let’s talk about race.

I’m black.

I’m a woman.

Two indisputable facts that you may have noticed.

I’m a mother.

To a son.

He’s the light of my life.

He’s my Munch.

He’s also black.

Why do I keep mentioning color? Because I need you to see and acknowledge the rich hues in my skin tone. I need you to see my melanin and know that I am black. Can you see the warm coffee colored hues of my skin tone just radiating? Yes?

Good.

Let’s talk.

I’m black. A beautiful black woman who shares a rich history in this country. My ancestors were kings and queens, slaves and sharecroppers. I know this. Many of you know this. But, I need you to stop acting like I’m supposed to forget…

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The Best Things About Blogging

1. Individuality and community.
Blogging gives us the best of both, lets us develop our self in the nest of “the collective heartbeat”. (Anne Lamott)

2. The freedom.
Anything goes: some days this is my own TED stage or talk show. On others, my stand-up. Sometimes it’s my notebook.

3. The empowering.
You can take yourself as seriously as you want to and ask others to.

4. The humbling.
You remember you’re just a leaf in the forest. Let’s keep it real.

5. The immediacy, the organic exchange.

6. The traffic.
The comment board is the interface of lives and a place where people can lend their perspective to expand yours.

7. The pay-out.
It’s the immigrant ethos. You sight unchartered space in blogosphere, nothing in your pocket. You stake your ground, work hard, and can build something of worth.

8. The low maintenance.
Comb my hair? Figure out which top to wear?  I can blog in my bathrobe behind my smiling avatar, ever presentable.

Forbes.com

Forbes.com

9. The low cost.
I got the premium plan to keep the ads away, for your sake and mine. I felt vandalized when they started popping up. There is no motive for my writing other than the joy and I’m not here to mark out a trail to a pretty place that empties your wallet. Anyway, at 27 cents a day it beats spending on gas and an overrated drink at Starbucks to enjoy friends.

10. The Efficiency.
I’m all set. Honey, no need to write anything for my funeral. Just pull up the comments for the eulogies!

Exodus

How many songs do you still know from high school? The old band – cooler than ice cream in its day – revs up the radio and you’re right back, lyrics sure after all these years. Which is why Holistic Boy learns a lot of things through music. He had the optional challenge of memorizing the first 17 verses of Exodus 20 in the King James the past school year and so I went to work. After writing the melody, I found the perfect male baritone (for the voice of God), and recorded countless takes on the piano with Husband and Son on drums. The families in our homeschool community were given the best version to run at home. T and many of his homeschool friends learned it easily as we sang it a verse at a time in our weekly gatherings. The final stage presentation was open to anyone who wanted to perform it this spring, whether they had mastered it or not. Some who made Bible Master were too shy but I was so proud of the kids that night. We had five-year-olds up there. The 17th century diction and syntax were not easy but they got it.

1 And God spake all these words saying,
2 I am the Lord thy God, which have brought thee out of the land of Egypt, out of the house of bondage.
3 Thou shalt have no other gods before me.
4 Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.
5 Thou shalt not bow down thyself to them, nor serve them: for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me;
6 And shewing mercy unto thousands of them that love me, and keep my commandments.
7 Thou shalt not take the name of the Lord thy God in vain; for the Lord will not hold him guiltless that taketh his name in vain.
8 Remember the sabbath day, to keep it holy.
9 Six days shalt thou labour, and do all thy work:
10 But the seventh day is the sabbath of the Lord thy God: in it thou shalt not do any work, thou, nor thy son, nor thy daughter, thy manservant, nor thy maidservant, nor thy cattle, nor thy stranger that is within thy gates:
11 For in six days the Lord made heaven and earth, the sea, and all that in them is, and rested the seventh day: wherefore the Lord blessed the sabbath day, and hallowed it.
12 Honour thy father and thy mother: that thy days may be long upon the land which the Lord thy God giveth thee.
13 Thou shalt not kill.
14 Thou shalt not commit adultery.
15 Thou shalt not steal.
16 Thou shalt not bear false witness against thy neighbour.
17 Thou shalt not covet thy neighbour’s house, thou shalt not covet thy neighbour’s wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour’s.

 

A Million Signatures of Friendship

I caught crickets with the boy you would marry. “I’ll give you a quarter for the Queen,” I offered, and he dispensed the prize insects in glass Coke bottles. My cousins got to keep theirs on the fire escape but aghast at the sight of black crawlies in her home, Mom threw mine down the incinerator chute. I was so mad. The Cricket Catcher breathed restlessly and contrived guns from wooden clothes pins and soda can tabs. Who knew he would find and love my dear friend someday?

You were in a different class in elementary school but somehow I liked you. We still get a kick out of the way that I, the bathroom monitor during lunch in fourth grade, had the girls wait in size order…because you were short.

Even if I’d journaled the way we clutched bellies aching in laughter, how does one record the telepathy that provoked it? I could’ve noted all the times you found me waiting on the stoop of your building after school but the smell of your home, of worn leather couches that invited me to stay? I showed you how to make Jello and bake out of Betty Crocker. You taught me generosity. Whether from sugar or hormones or real profundity, we cried harder than we laughed. The peals of hilarity, tears and confidences – a million signatures of friendship. You saw the dumbest, boldest, smartest things I did and the words that spilled from my pen; were moved by the poem I published in the eighth grade yearbook but asked in high school what the point was to the vignette. We wore honesty like skin and tread a hundred thousand steps between our homes, passing apartment buildings that boxed in the sky when we looked up. And you told me to make something of myself. The encouragement, acceptance, breakfast and TV dinner rituals: the muscle and fiber of a childhood.

If I erased you from those early pages, I’ll end up with more emptiness than story. We didn’t expect to follow our hopes, heartaches, regrets to two lives on opposite coasts full of joys of family and the tiredness that is our inheritance as Korean mothers. I could not have guessed your boy would one day walk the shiny halls of my old high school. He would think, eyes on the girl by the window, that his parents never felt what he has with such density. We are startled by time because we feel younger than we did when we knew everything at fourteen.

Bonjour, Texas: Summer 1966

By the second week I learned that Texans sweat as much
as the French, and swear even more, that you couldn’t fight one
twin without taking on the other. But the librarian would slip me
the choicest donated fiction, and I played baseball every day in the
vacant lot until sundown called the players home to black and white
body counts and cigarette commercials on the three channels we got.

Sometimes I lay in bed under the half-light of the whirring fan
blades, and dreamt of heroes and ornithopters, zebras and the scent
of chocolate chip cookies in the oven. Other nights I wondered
how words could rest so calmly on one page yet explode off the next,
or why a man would climb a tower in Austin to kill fourteen people.
Wasn’t living a matter of simple subtraction?

One by one the days parted and I walked through the dwindling
heat, eyes squinting, questions in hand, emerging fifty years later
having suffered the mathematics of love and success, honor and
truth, still asking why and how, where it’d gone, shoulders slumped
under the heft of those beautiful, terrible summers stacked high
like so many life-gatherings of unread books awaiting a bonfire.

Robert Okaji, O at the Edges