I don’t know why people seek out fortune tellers. Why would you want to know the heartaches that lie ahead, the assurance that life will take your spouse and body and dreams?
He will be with his family tonight, Doctor, when he goes home, the deathless man says. Why should I tell him that tomorrow he is going to die? So that, on his last night with his family, he will mourn himself?…Suddenness. His life, as he is living it – well, and with love, with friends – and then suddenness. Believe me, Doctor, if your life ends in suddenness you will be glad it did, and if it does not you will wish it had.
Not me, I say. I do not do things, as you say, suddenly. I prepare, I think, I explain.
~ The one quotable text from Obreht’s The Tiger’s Wife I can’t recommend
We hope, with foreknowledge, to hedge our bets, if only mentally. We like to imagine that we can avert, if not preempt, the undesirable – in the least, prepare ourselves and explain it. But the suffering is bad enough. Do we really need to expect it, too? And the glad blessings? Will their surety really help us live differently? Halfway up the California mountain thirty years later, I look down at the girl I left behind on the other side of the country. I wish I could promise her the thousand joys she dare not believe, the love in unexpected places, friends and a mess of food around her table. I wish I could teach her to nurture herself, admonish her away from her follies. But far and past, she is out of my hands. And she is so frustratingly, so helplessly her. She won’t do it any other way.
Life hangs by a prayer but you take so much for granted in your unhappiness. You have community and, for all their sins, parents who cherish you.
Stupid girl. You don’t listen. You need to take better care of yourself. You eat too much ice cream. You can fool others and even yourself, but not your body. One day you will have to learn to eat, sleep, live all over again. These brick apartments suffocate you but one day you’ll mark your own path. You always do. You will drive through a painting of Montana mountain and sky, and survey the gleaming Pacific. There are many, many good people ready at the crossroads of your life to look out for you. I am sorry that life will become so unyielding you will stop singing for 10 years.
There’s a man waiting to find you. He wants to build you a new life and provide all you need. You don’t know the cost and gift of marriage. The walk down the aisle is just expensive trimming. Though he’ll disappoint you many times over, it’s that he chooses you everyday. You will squeeze and crush the heart he left in your hand. And in his eyes you will still be enough.
You will experience the power and genius of God. You will feel fingers and toes in your womb, touching you from the inside. Those hands and feet will one day come to refresh your grave, mark the place of your memory. She was here. You will put your baby to your breast in the rocking chair, seat of the highest office in the world. You will sing again. Sacrifice is a privilege, because it means a purpose greater than yourself. But you will embitter your child too, as your parents did you. The love of parents, our broken inheritance.
One day the lights will go out in your home and you will read to your men by candlelight. They will love the inflections of your voice.
I didn’t think people could change but you are proof. I’m proud of you! You will grow less rigid, softer with others, having learned how foolish you can be. Wisdom works backward. Your life will be a desert’s bloom, well tolerant of drought. And before the sun has set on your dreams, right here on the edge of this switchback, you will learn it is safe to stop hurting. Learn that you are more than your fears, more than your boy, more than your most unworthy moments, more than your achievements.
The loyalty of friends, the forgiveness of family, You will be wanted and needed. These are your gifts of grace. And the words. You will claim your place in a virtual world, a very real world, and somehow in all your struggles and humanness, make many people laugh and think. You will matter. Will it take 30 years for you to know it is All Right to breathe, to smile, to trust that life is worth it?
You’ve done well, my dear. Closing the wrong doors to love, choosing the right one. You will bring a beautiful, thoughtful boy into this world. And though life has knocked you flat beyond counting, you keep climbing. We will look each other in the eyes and I will tell you everything when you reach me.
As passionate as I am about things, I’ve only just begun to connect with the spectrum of emotions I had buried all my life under the stoicism.
When you reflect on your day as you turn out the lights, you are in fact revisiting how you felt about it, not what you thought about it. I’m seeing that feelings can be so prevailing they can redefine reality. You got word of a promotion – objectively, great news. But if it fills you with anxiety, that will translate a different news like maybe you’re really not competent enough. What if your spouse has little regard for you? His contempt will redefine what is true within the world you share. The final arbiter of our perception is emotion, not cognition.
Chief Justice Sonia Sotomayor in her early days as District Attorney couldn’t figure out where she’d gone wrong in one case. She replayed her presentation for a mentor who “identified the problem instantly: I was appealing to logic, not morality…since it is painful to most jurors to vote ‘guilty’ and send a human being to jail, you couldn’t simply reason with them to do it; you had to make them feel the necessity…put them in the shoes of the accused or the victim: make them feel the cold blade held against their necks, or the pang of unappreciated devotion that might drive someone to steal from a former employer…It was in effect to see that mastery of the law’s cold abstractions was actually incomplete without an understanding of how they affected individual lives.” My Beloved World
In the case of jurors, it is emotion that forges belief which determines conviction and behavior. Because when Sotomayor was arguing her case, she wasn’t feeding algorithms of reason into a machine for a logical verdict. She was appealing to people, people who were filtering the story through their own past, hopes, and fears as resolutely as they were supposed to aim for impartiality.
Yeonmi Park, who managed a harrowing escape out of North Korea, knows all about the power of feelings:
“In school, we sang a song about Kim Jong Il and how he worked so hard to give our laborers on-the-spot instruction as he traveled around the country, sleeping in his car and eating only small meals of rice balls [a lie]. “Please, please, Dear Leader, take good rest for us!” we sang through our tears. “We are all crying for you.” This worship of the Kims was reinforced in documentaries, movies, and shows broadcast by the single, state-run television station. Whenever the Leaders’ smiling pictures appeared on the screen, stirring sentimental music would build in the background. It made me so emotional every time.
Jang Jin Sung, a famous North Korea defector and former poet laureate who worked in North Korea’s propaganda bureau, calls this phenomenon ’emotional dictatorship’. In North Korea, it’s not enough for the government to control where you go, what you learn, where you work, and what you say. They need to control you through your emotions, making you a slave to the state by destroying your individuality, and your ability to react to situations based on your own experience of the world.” In Order to Live
The government wasn’t satisfied with subjugation of the mind. It wanted the heart because then the leaders had the whole person. And notice that you can create emotion – for someone you haven’t even met and for what is not real. This gives me hope that we can also deconstruct it, not remain enslaved to it.
I’ve always held to an Absolute Truth, ground harder than the sand mound of feelings that can save us from ourselves. But I am seeing that where I’ve lived is really in the place of emotion, not of beliefs or facts. I have found anger much easier to access than sorrow. Anger allows me to borrow strength from the sheer force of it, as delusional as it may be, but what do you do with the sadness of inflicted pain except suffer its vulnerability and sense of helplessness? It just hurts too much. Fear is another big one, and has accounted for a lot of my actions over the years. (I’m such a mess. Why in the world are you following?? Stay with me at your own peril.) Now naming is one thing, freeing oneself of it another. And so to face these darker sides of my psyche, I’ve had to enter their deeper waters. Following memory as far back as it would take me, I’ve relived the traumas of childhood that gave way to resentment and fear. But for the first time, I was led to think about my mother, how indignant, fearful, and powerless she must have felt in the face of her husband’s offenses while pregnant with me – all that despair I felt in the womb, the energy that pieced me together. I don’t like victim talk, but making sense of my context and beginnings has given me greater compassion for myself. I’ve also known that we hold grief and anxiety in our lungs and while I’ve made the connection easily in others, did not see until recently the chronic bronchitis I had as a child in this startling light.
When I was a kid, I didn’t salt my food. I felt guilty for the flavor, had to deny myself the pleasure. That went for the lettuce as well. No dressing. I took the asceticism to a whole other level in my adult years and only the other day recognized that I had actually invited much of the insane suffering in my life. I had to keep suffering because that is what Korean women do. It is how we show love, it is our lot. And our lot is where we are safe. It is all I saw of my mother, that for me to do and be otherwise would be not only criminal (how dare I enjoy life?), but something alien and therefore…scary. Oh, how I LOVED my Bible passages on perseverance in affliction, on the cross I was to carry! Some years back, I took several lessons in the Alexander Technique, a form of mindful movement therapy. The instructor taught me how to lie down. Really lie down. At one point I couldn’t help laughing out loud on the table. The deep, simple rest felt so good. At 30, I didn’t know I could rest like that, had been holding myself up in bed all those years. I now stand on unchartered terrain, a long but sure road where I am giving myself permission to stop hurting and to take my power back. I have died a hundred deaths. Surely that means a resurrection. Pleasure, comfort, (gasp) joy are within sight. At least I enjoy them every time here with you.
I had learned in my own depression how big an emotion can be, how it can be more real than facts. And I have found that that experience has allowed me to experience positive emotion in a more intense and more focused way. The opposite of depression is not happiness but vitality. I think that while I hated being depressed and would hate to be depressed again, I found a way to love my depression. I love it because it has forced me to find and cling to joy. I love it because each day I decide, sometimes gamely and sometimes against the moment’s reason, to cleave to the reasons for living. And that, I think, is a highly privileged rapture. Psychologist Andrew Solomon, PhD.
Even in my happy indifference to athletics, I could understand something of the competitor. The Olympian urges his body on toward the moment that will redeem the years and pleasures and normalcy he had laid on the altar of glory. He pursues the unrivaled to best himself. But men who attack one another – invite the blows and blood – and go on to hug after beating the brains out of each other? (Right, it is women who make no sense.) Baffling brutes, I’ve thought.
A year or so after my boy had started in Mixed Martial Arts and I too had learned some moves in self-defense, I was strolling past the octagon at the gym when the sparring in there took on a startling light. Suddenly, what I’d dismissed as irrational violence made every bit of sense and the fluid logic of the moves blew me away in its beauty. So this was the art of war.
I became intrigued by men who put themselves in harm’s way not in some noble cause for the greater good but to test themselves. Fascinated with these creatures of discipline – so many of them who I discovered are really nice guys – I went around the last two months asking fighters of all caliber in the Ultimate Fighting Championship, “Why do you fight?” But it was the questions under the question that pressed me. Aren’t you afraid? What do you do with that fear? What makes you spurn that bed of ease and climb the path of great resistance? Are you born different from the rest of us? What is the stuff of warriors – are they born or made – and what inner battles are you fighting?
These questions played in my head during a mesmerizing rerun of the epic fight between Dan Henderson and Mauricio “Shogun” Rua in the summer.
A minute and a half into the first round, and blood rains over Shogun’s face. He stays bloody to the end. By the third round, both he and Hendo have drained their reserve. Round Four, they pummel. And Hendo looks at the clock. An eloquent moment: two hundred pounds of muscle and he wonders when he can stop.
The men hang by a thread through the distance, the longest 25 minutes of their lives. It’s not muscle in the last round. Shogun and Hendo find themselves in the mental corner. They have given up their all and for one of them, it won’t be good enough. What follows will ride on mind and will. Shogun gives Hendo a run for his money, but Hendo had done too much damage too fast from the first round not to win in the judges’ eyes. The call remains a technicality for many, fans the world over moved by the warrior spirit of both men.
Soon after, I caught some words from The Korean Zombie on the gym screen, a crash introduction to the relatively new but popular mixed martial artist who earned the moniker from his singular ability to plow through all injuries and blows. Thrilled to his wildest dreams that he was slated to fight UFC Featherweight Champion Jose Aldo, Chan Jung said, “I’m willing to put everything on the line…I would give my life to be champion.” How stupid. How marvelous. Beautiful. I was enthralled. Three years he had chased the chance to take the title from the eight-year undefeated champion. I asked The Zombie in my head: What makes you define years of your life by a moment you hold in your dreams? Where does the confidence even come from, to disagree with the masses that your opponent is superior?
Aldo: “I don’t even see a chance of losing.”
Jung: “I push my opponent to his breaking point.”
I had the recent privilege of reaching The Zombie in Seoul, Korea. His agent took the time to translate the interview and afford me a more personal acquaintance with the star. Chan, like some of the other fighters I’ve spoken with, ended up in martial arts after being bullied as a kid. His aunt enrolled him in Hapkido. As to the qualms, he echoes the others, “There is always the fear, but mostly of losing.” Fear of injury becomes a minor concern. After the first blow, they’re good (something I don’t quite get as a woman) – the anticipation over, the adrenaline on. Beyond any anxiety over a black eye, they’re afraid of letting the coaches and themselves down. The goal is to free themselves from the fear of fear. A Brazilian Jiu Jitsu instructor at our gym says he competes to face his fear of vulnerability and stay ahead of his insecurities.
Former UFC champion Vitor Belfort said it simply on TV: “Nothing can distract.” The Korean Zombie doesn’t just dream. He labors in the vanguard of those who sweat, breathe, beat that dream into reality with this laser beam devotion. These guys seem to live on a different plane altogether. I remain mystified. All those months and years and daily dogged minutes of self-denial! Though C.S. Lewis was speaking of spiritual appetite in his observation that we are far too easily pleased, his commentary captures the human spirit. We worship comfort, especially as postmoderners. I am blown away by the single-minded who take no excuses for themselves, repudiate mediocrity, forgive nothing substandard. In this case, fighters put themselves at a place that exposes what they’ve got, what they’ve worked for: they ran the extra mile or they didn’t. The cage door closes and you have two guys hell bent on winning. No one trains to lose. They force each other to their best. The contenders risk it all before a watching world. And the months of toil can all go down in seconds. It hit me (pun intended) that this death grip on commitment resonates with me for the crazy work ethic Koreans have branded themselves by.
I had to puzzle out the deepest answer I was seeking in the interviews. The men told me, “I fight because it’s what I love. What I’m good at. The thrill of victory, the arm going up.” But why do you have to punch someone in the face to feel so good?
If man ever did evolve he stopped over 2,000 years ago. I realized MMA is not so new. I am watching the Spartan warrior and the Roman gladiator in their most primal fight for self-preservation. History is battle, the fiercest of physical arguments over land and power. My son has been learning, “Assyria falls to Babylon, Babylon to Persia, Persia falls to Alexander the Great.” The Conquerer has been redefining boundaries – of space and within himself – since ancient times and on he goes. Man’s quest for greatness.
LIVING THE DREAM
The current of the past carries these fighters on to their future. Competitor Phillip Brown is not only chasing his dream but living it. He stays present so that the training is not only a movement toward possibility but joy: “You wake up and realize it’s already tomorrow. You feel really alive. It’s a presence. All your hard work has paid off. All those minutes on the bag, all those tap-outs in practice. Tap-out means I need to get better. Martial arts is the art of bettering oneself. When that cage door shuts, I’m exactly where I wanna be: win, lose, or draw.” How many of us know exactly where we want to be?
THE ROAD AHEAD
Part of my fascination with these contenders stems from the mystery of the Other. They are talented with their body as I can never hope to be. After a year’s sorry attempt in Self-Defense, I discovered I have as much survival instinct as I do coordination. But I’m drawn to the sport for the resonance; I fill with hope and pride in people who seek excellence in their craft, partly for this very pursuit in the roles I have played as mother and as writer. Whether or not I have been successful remains a different matter. But what I’ve asked the competitors were really parenting questions that continue to replay themselves. How much do I push my son to free him – to borrow from Gloria Vanderbilt – to follow his bliss? How do I encourage him to refuse distractions from his purpose? How to reconcile the wisdom of balance with the virtues I prize: stamina, discipline, passion? You lose, sometimes excise, a part of yourself for the greater gain on the hot trail of dreams.
“The tragedy in life doesn’t lie in not reaching your goal. The tragedy lies in having no goal to reach. It isn’t a calamity to die with dreams unfulfilled, but it is a calamity not to dream.” Benjamin Mays (1894-1984), American minister and educator
Enjoy the Wayfarer in MMA action here – most notably not in her element.
I couldn’t believe I was holding it, procured so easily from the public library: “The only known novel by a female African-American slave, and quite possibly the first novel written by a black woman anywhere,” read the cover jacket of The Bondwoman’s Narrative. Harvard Professor Henry Gates, Jr. who laid hold of the original 300-page handwritten manuscript launched an extraordinary quest to unmask the pseudonym of Hannah Crafts. Taking the clues he left, Professor Gregg Hecimovich from Winthrop University located the novelist in history at the end of an assiduous ten-year pursuit. Hannah Bond was the mulatto house slave who fled a North Carolina plantation disguised as a man and lived to tell her story cast in part fiction.
I have always felt a pull toward the African-American odyssey of slavery. The female slave experienced double jeopardy not only for her race but also for her sexual vulnerability. I beckon to light the invisible greatness of a woman who made her way out of bondage with pen as she did with her feet.
To authenticate and date the book, Dr. Gates consulted experts of historical documents. The characteristics of the paper, binding, handwriting, the iron-gall ink that had been popular until 1860, the style of the narrative were some of the elements they studied. A sedulous search among federal census records turned up the “Mr. Wheeler” whom Bond had served. In 1855 John Hill Wheeler enjoyed more fame than he had sought in government when word got out that his slave Jane Johnson had run away. Hannah describes how she found herself filling the vacancy. So the manuscript would have been drafted after 1855. I was captivated by the rigorous intricacy of the literary archeology.
Dr. Gates reports the observations of the keenest scholars in slave literature, the cause for their excitement over this particular self-authenticating text: “Hannah Crafts writes the way we can imagine black people talked to – and about – one another when white auditors were not around, and not the way abolitionists thought they talked, or black authors thought they should talk or wanted white readers to believe they talked. This is a voice that we have rarely, if ever, heard before…For Crafts, slaves are always, first, and last, human beings, ‘people’ as she frequently put it.” (Gates’ preface to the novel)
How did Hannah learn to read and write? She enjoyed her first secret reading lessons from an elderly white couple until the meetings were aborted. Dr. Joe Nickell, a historical investigator, paid “close attention to Crafts’ level of diction, the scope of her vocabulary…the degree of familiarity with other texts, or literacy, that she reflects in word choice, metaphors, analogies, epigraphs, and allusions to other words, concluding that she had the [modern equivalent] of an eleventh-grade education.” She evidently had taken liberties with John Wheeler’s private eclectic library. The plantation also housed students from a neighborhood finishing school. In a news radio interview, Hecimovich said, “Bond would have been listening and waiting on the young ladies who were boarding at the Wheeler family plantation while they were practicing…and she would have intuited, like other slaves we have record of, when she came to write her own stories. She could tell her story in the way that she heard the other stories.” (What does this say, incidentally, about the impact of quality literature upon listening children?) She has a beautiful, bold hand in the word selection and painting of imagery: “The clear cold sunshine glancing down the long avenue of elms…” While Hannah’s multisyllabic words [magnanimity, obsequious] tell of a rich bibliodiet, the many misspellings [meloncholy, inseperable] reveal the struggles of one who was self-taught. The novel was printed with the spelling errors and revisions Hannah had made intact, offering a precious glimpse of the subnarrative where writers play out choices in the birthing of a tale. Scholars thrill to have broken new ground in the landscape of antebellum literature. Gates explains, “To be able to study a manuscript written by a black woman or man, unedited, unaffected, unglossed, unaided by even the most well-intentioned or unobtrusive editorial hand, would help a new generation of scholars to gain access to the mind of a slave in an unmediated fashion heretofore not possible.”
Hannah draws a distinction between house and field slave, one of class and levels of degradation. It is when she is forced to marry into the squalor behind the Wheeler home that she decides to flee. “Accused of a crime of which I was innocent…most horrible of all doomed to association with the vile, foul, filthy inhabitants of the huts, and condemned to receive one of them for my husband my soul actually revolted with horror unspeakable…” (p. 205) The relative advantages she enjoyed as a house negro and very light mulatto distill the institution of slavery to its unrelenting truth. Hannah wasn’t whipped to work faster under the sun, didn’t have to mind the hogs in their sty. But no matter how light her skin, she was a thing with no license to go where she chose, wear what she wanted, say what she thought. The day she woke to was not hers. She got out of a bed she did not own to meet the needs and demands of another. Why would slavers think she had intellect, talent, feelings, a soul? Hannah was sold and bought, had no say under whose roof she ended up. “No one ever spoke of my father or mother, but I soon learned what a curse was attached to my race, soon learned that the African blood in my veins would forever exclude me from the higher walks of life. That toil unremitted unpaid toil must be my lot and portion, without even the hope or expectation of any thing better.” (p. 6) And even house slaves were not immune to the prospect of torture, rape, or murder. Hannah recounts the tale of a beloved nurse of the master’s son who, after begging for mercy, chose to suffer rather than drown her dog. Woman and pet were gibbeted on iron loops for six days with no food or water, making it through a fierce storm that only revived them to agony. A drop of black blood — and you were no better off than a dog. The establishment of slavery ironically did not discriminate between the classes extant in the world of slaves. Hannah writes of a man who agreed to part with his young chattel for a handsome amount of money: “He reck[on]ed not that she was a woman of delicate sensibilities and fine perfections – she was a slave, and
no more that was all to him.” (p.82)
The act of running away, of plunging into the harsh vicissitudes of threat and want, is obviously a bravery all its own. What impresses me as much are the battles Hannah won first in the deepest places of self. She was bold enough to envision not only her escape but well before, to have broken through the low, hard ceiling that kept slaves from the daylight of dreams. Taking the words that had come alive to her on paper, she would compose a novel that revealed truth. I find the vast verbal blueprint she was able to draw up in her mind astounding. It appears Hannah had not been “writing this for herself,” as “it was not an internal sort of story [in which she grows or changes] which makes me want to think of her imagining a public for it.” (Preface, lxiv) The pen at work was a soaring of the mind, a declaration of will. She did not heed the holes in her learning. A full imagination, insight, and instinct for the framing of words would do. Her sense of worth, not mollifiable, told her she was capable of attempting what no hand of woman had as of yet and that she could secure readers. This anchor is what impelled her escape, for “rebellion would be virtue, that duty to myself and my God actually required it, and that whatever accidents or misfortunes might attend my flight nothing could be worse than what threatened my stay.” (p. 206) I love the duty to herself. Her body, her spirit, her dignity were worth protecting, and she would see to it.
Some things are not worth fighting for. “Marriage like many other blessings I considered to be especially designed for the free, and something that all the victims of slavery should avoid as tending essentially to perpetuate that system…I had spurned domestic ties not because my heart was hard, but because it was my unalterable resolution never to entail slavery on any human being.” (pp. 206-207) Hannah decides it the wiser course for slaves to forgo certain pleasures. The sweetest of them – creaturely comfort and family – promise in the grander scheme only to embitter their own existence, feed the very beast of their anguish. So how far do you go to protect your child? Hannah describes the response of a young black woman forced to sell her children by their father, the master of the house. “Her eyes had a wild phrenzied look, and with a motion so sudden that no one could prevent it, she snatched a sharp knife…and stabbing the infant threw it with one toss into the arms of its father. Before he had time to recover from his astonishment she had run the knife into her own body, and fell at his feet bathing them in her blood. She lived only long enough to say that she prayed God to forgive her for an act dictated by the wildest despair.” (pp.177-178) This despair was no drama out of a writer’s fancy. Hannah likely knew of the publicized infanticide of 1856. Margaret Garner was fleeing a Kentucky plantation with her husband, their baby and two-year-old daughter Mary, and his parents when she was pursued by her master. Margaret slit Mary’s throat with a knife to spare her the waiting travail. It was a doomed attempt to solve the lesser of two impossible evils, and Margaret’s act of desperation articulates Hannah’s own conviction to refuse helotry another generation of victims. So accustomed to the relative comforts of the wealthiest nation in the world, I can’t imagine what would compel me to extinguish my son’s breath.
To run away is to face the real possibility of torture and death, but the road before holds out the irresistible hope of autonomy and birthright of dignity. To stay or go back is to assure oneself of a living death. The Underground Railroad saw many, though not enough, lives to freedom. But literacy liberates the mind and creates its own opportunity of voice. The depths to which Bond pursued her art yielded a remarkable achievement. She reached for access to that forbidden code of the written word we call reading, and went on to add her own undimmed testimony of good, evil, and the true to the dark pages of the human heart we call history.
Making America great again.
Can we talk?
Can we truly talk about the elephant in the room that you never want to talk about?
Let’s talk about race.
I’m a woman.
Two indisputable facts that you may have noticed.
I’m a mother.
To a son.
He’s the light of my life.
He’s my Munch.
He’s also black.
Why do I keep mentioning color? Because I need you to see and acknowledge the rich hues in my skin tone. I need you to see my melanin and know that I am black. Can you see the warm coffee colored hues of my skin tone just radiating? Yes?
I’m black. A beautiful black woman who shares a rich history in this country. My ancestors were kings and queens, slaves and sharecroppers. I know this. Many of you know this. But, I need you to stop acting like I’m supposed to forget…
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“He told of how the trees had grown in all sorts of conditions, endured lightning strikes and windstorms and infestations. [The boat builder] said the wood taught us about survival, about overcoming difficulty, but it also taught us about the reason for surviving in the first place. Something about infinite beauty, about things larger and greater than ourselves.” Daniel J. Brown, The Boys in the Boat
Anticipation trails the greeting: “Happy new year!” The newness in the turn of the calendar somehow holds out hope of a fresh happiness, a better year. But I will be grateful to hold onto the status quo of a mom on duty, keeping up with the home lessons and activities, churning out the chow, running the house. Put my face on this year? Maybe! The lipstick box awaits, now organized. Host company?? I pulled off Christmas. WRITE? Perhaps I ask too much. Because I have learned to be satisfied with very little, even through the homesickness for my blog. I’ve shown up here drenched, not in the exhilarated sweat of the marathon victor, but in the swells of a twelve-month winter that have finally cast me out on shore. It’s been a year I would not repeat for any amount of money and it is with eagerness I accept the well-wishings of a happy 2017. Except that though we don’t like to think about unexpected hardships, they come. In fact, they don’t take holidays, and have left me with friends and family whose Christmas season remains an anniversary of dear losses. So maybe the relief of a tabula rasa is a luxury not within our rights. Maybe we can at best just hope to survive.
That is what I got out of the book The Martian, Watney’s desperate fight to stay alive an amplified contemplation of the symphonic battle between the harbingers of death and impulse of life we call the human condition. The farmer’s labor is a prayer, dependent on forces he attempts to harness but cannot control. And there is the financier, the urban version of this struggle, in his relationship with market conditions. Life is conflict – in the community, family, ourselves.
“A protagonist is pretty much defined by the strength of the opposition he or she faces,” Pulitzer journalist Jack Hart quotes a writer in Storycraft. Isn’t that life? Even trees testify to the seasons they have weathered, confess their ordeal and age in their rings and core. “He talked about the underlying strength of the individual fibers in the wood. He said those separate fibers, knitted together in the wood, gave cedar its ability to bounce back and resume its shape or take on a new one. The ability to yield, to bend, to give way, Pocock said, was sometimes a source of strength in men as well as in wood.” DJB, The Boys in the Boat. There is a strength adversity builds that is of a different order than the brawn of success. It comes from just holding on and being able to look another day of it in the face. You are not capable, pretty, or smart. You just try to keep standing. Day after day.
“I continued to go [to the nursing home], and I struggled to find meaning in their bleak existence. What finally helped was an image from a medieval monk, Brother Lawrence, who saw all of us as trees in winter, with little to give, stripped of leaves and color and growth, whom God loves unconditionally anyway.” Anne Lamott, Bird by Bird
Part of my problem with suffering is that I’m surprised by it. Why can’t it all go my way?? Well, if it won’t always be California sunshine, can I at least have my greenhouse? You, at least, have been reminded. Expect a hard year, and happiness will follow somewhere in that.
“Amazingly, some of the bacteria survived. The population is strong and growing. That’s pretty impressive, when you consider it was exposed to near-vacuum and subarctic temperatures for over twenty-four hours. With hundreds of millions of bacteria, it only takes one survivor to stave off extinction. Life is amazingly tenacious. They don’t want to die any more than I do.” The Martian